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Absolutely dreadful promotional poster |
1990
Directed by: John Patrick Shanley
As much as I watch movies of all types, and enjoy a great deal of them, every so often one comes my way and unexpectedly knocks my socks off. This is one of those kind of moments, and this is one of those kinds of films.
Joe is a very unhappy working class man who works a mundane job in a big facility, meandering through life in a fog of fluorescent lighting. He's a small fish in a big pond, a disposable element in a giant machine. He's a hypochondriac who feels that there's surely something physically wrong with him. When a checkup at a doctors office reveals he's got a "brain cloud", and only has a few months left to live, he takes a billionaire's offer to commit suicide by throwing himself into an active volcano on a tiny island inhabited by a small group of natives, believing that the sacrifice will not only serve a purpose in his meaningless life, but will also appease the gods of the island and prevent it from erupting.
Written and directed by John Patrick Shanley, who had previously won an Oscar for his Moonstruck screenplay in 1987, here makes a remarkable directorial debut. You would never know that he'd never directed a film before. There was so much visual brilliance, so much in the way of early Tim Burton, Barry Sonnenfeld and even early Alex Proyas, yet a bit more subdued but not any less significant or meaningful. It packs a visceral punch the way very few films can. You can tell just by watching this that this man clearly had a vision in his head, and every frame is
Art by J.R. Barker |
I should also point out that a lot of what makes the film's look and visual aesthetic so appealing is that the production design was under the vision of Bo Welch, who would design the productions of many classic visually amazing films like The Lost Boys, Beetlejuice, Batman Returns and Edward Scissorhands to name a few. You can see a lot of his gothic/industrial influences in the majority of the entire first act. Helping to bring this all together in such an aesthetically pleasing way is cinematographer Stephen Goldblatt, who did some outstanding work on a personal favorite of mine, Outland, as well as Tony Scott's The Hunger and Lethal Weapon 1 and 2. This triple threat of talent (Shanley, Welch & Goldblatt) is really one of this films greatest assets, because if you were to take away the film's compelling structure, story and performances, you'd still have one of the most visually stunning films ever made in this niche genre. No, correction. In "any" genre.
Joe Versus The Volcano is a film that's begging to be discovered. It's been a long 27 years since it was released, a quarter century, and people still don't know about it. Or they have heard of it, but mistook it for the film it was marketed as, which it ultimately is not, and ignored it. Whether you stream it, or watch it on DVD or Blu Ray, whichever you choose, just make sure that it's in widescreen. It's a film that utilizes this format to breathtaking results and only makes the experience that more stimulating.
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