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Director: Luis Bunuel
Not long ago, I watched and reviewed the short silent film Un Chien Andelou, which was the work of the dynamically surreal dual minds of Spanish artists Luis Bunuel and Salvador Dali. It was every bit as challenging, bizarre, and unique as one would imagine. Well, a couple of years after that seminal piece of work, Dali and Bunuel collaborated again on L'Age d'Or, a longer film but one that still illustrates their hallucinogenic sensibilities.
Offering a summary of the movie is a tricky affair, given that it doesn't follow a traditional narrative structure. In general, though, it often follows a man and woman who are in love, or at least lust, and are constantly attempting to unite. To do so, they are often fighting against those who would keep them apart for various reasons - it may be a few police officers arresting one of them for unclear causes; it may be one's family and social circle placing demands upon their attentions; or it may be a government organization urging one of them to focus on a vague "mission" rather than individual desires. Details are never really given on any of these interactions, but the details are clearly not the point. In the end, the man is seen hurtling various objects out of a bedroom window, including pillow feathers, a burning tree, and religious icons. The entire story of the man and woman are bookended by first documentary footage on the behavior of scorpions, and in the end by an adapted depiction of the end of the Marquise de Saad's infamous novel 120 Days of Sodom.
I will admit that I wondered how well this film would be able to hold
For anyone considering this film, I would recommend taking the time for a second viewing with the audio commentary by Robert Short. Aside from an amusingly arrogant English accent, he offers some nice insight into the odder elements and unusual structure of the movie. He also offers some invaluable historical context about the time and place of the film's release, as well as its consequences for Bunuel. I don't often do audio commentaries, but for such an atypical movie, it can offer a nice education on the creators' visions and motivations.
That's 619 movies down. Only 580 to go before I can die.
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