Playing The Pajama Game

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John Raitt & Doris Day.

New superintendent Sid Sorokin (John Raitt) has his hands full at the Sleeptite pajama factory. The company's disgruntled employees want a 7½ cents raise and the company's stingy owner isn't about to give in. Sid's life becomes even more complicated when he meets Babe Williams (Doris Day), the head of the union's grievance committee.

Sparks fly between the two, even though Babe tries to feign a lack of interest in Sid (while the other female employees gush about him). However, it's not long before loves blossoms. But can a company executive and a labor leader find middle ground on the road to marital bliss?

This 1957 adaptation of the Tony Award-winning 1954 stage musical features some good songs, energetic dancing, and a rare opportunity to see famed Broadway choreographer Carol Haney in a featured role. However, it's also one of those movies where the parts never gel into a cohesive whole.

Part of the problem can be attributed to the producers' decision to trim a stage musical running over two hours to a 101-minute film. The result plays like a highlight reel with one musical number leading to another with little exposition. For example, Sid and Babe exchange a little dialogue, duet on some songs, and--presto!--they're in love. A little more story development would have done wonders.

Likewise, two of the film's most famous musical numbers--"Steam Heat" and "Hernando's Hideaway"--don't seem integrated into the plot. Its easier to justify the latter because at least it's a song about a nightclub where a scene takes place. But "Steam Heat" is presented as part of the entertainment at a union event that seems irrelevant to the rest of the movie.

imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"> Haney, in the middle, for "Steam Heat." That's not to say that "Steam Heat" isn't a fabulous musical number, because it's a showstopper featuring the incredible choreography of Bob Fosse and Haney's precision dancing. Haney, like much of the cast, appeared in the original stage production. She first met Fosse when the two danced together in the 1953 film version of Kiss Me, Kate (click here to watch their brief, but impressive routine on YouTube). Although Carol Haney won a Tony Award for The Pajama Game, she preferred to work behind the scenes. She later received three Tony nominations as a choreographer. Her only other major film role was in Gene Kelly's Invitation to the Dance (1956).

The Pajama Game was also John Raitt's only significant film appearance. Though his strong baritone voice serves him well, his on-screen acting is wooden and he and Doris Day exhibit little chemistry. Still, he continued to have great success on the stage and as a recording artist. And, yes, he is the father of singer Bonnie Raitt.

Doris Day was cast in the lead to provide the film with some star power. At one time, Frank Sinatra was attached to play the male lead with Janis Paige reprising her performance as Babe from the Broadway show. When Sinatra dropped out, John Raitt got the part and the female lead shifted to Doris.

Carol Haney.

By the way, Carol Haney's understudy in the Broadway play was a young Shirley MacLaine. When Haney injured her ankle, MacLaine replaced her for several performances--and was subsequently signed to a movie contract. Still, I'm glad she wasn't in the film version. The Pajama Game may not be a great musical film, but it's an opportunity to see Ms. Haney dance and I quite enjoyed that.



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