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Still, no matter how much they got right, (like finally giving Guillermo Del Toro a best director nomination, and recognizing a female director in Greta Gerwig) they were a few things I thought they didn't get right. 7 to be exact.
At this point, it's pointless to expect a motion capture performance to be acknowledged by the Academy. The technology is mostly used in films that don't exactly scream 'Oscar-worthy'. That said, for the last decade, Andy Serkis has made it impossible to ignore his work with the character Caesar. He plays the role with such immense gravitas and that is no different than in 'War for the Planet of the Apes'.
'The Big Sick' is one of the best films to come out last year. It's been praised for being a story that needed to be told, and in such an endearing, and at times heartbreaking way. I don't think any of it works without the fantastic work of Zoe Kazan. Although this is the story of her co-star Kumail Nanjiani meeting his wife, Zoe Kazan is the one that makes you fall in love. She's charming when she needs to be and makes the movie's relationship feel familiar, for the good and the bad.
Look, I know, okay? I know. There were a lot of great performances this year. Plenty that went without nominations. I could've given this to Ray Romano for 'The Big Sick', Josh Gad for 'Marshall', or any of the stellar supporting cast in 'The Post'. Instead, I'm giving it to LilRel Howery, who had the hardest job of all in the most iconic film of 2017. He made a film about the harsh realities of racism, easier to understand with his very human and natural performance. Maybe it's his role inherently that does that, and there's not much to LilRel's performance. That's a valid argument. But my counter-argument is his pitch-perfect delivery, and expression when he declares he is TS-mothafuckin-A.
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He handles shit. |
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Say different. I dare you. |

Edgar Wright seemingly can do no wrong, yet he seems unable to be recognized for it. His movies are unlike any other, and that's true with 'Baby Driver' as well, which delivers some of the best-directed car sequences of the last decade. Beyond that, 'Baby Driver' is a film that has such an incredible use of a soundtrack, as Wright applies his hyper-visual directing style to match up with his well-curated list of songs. It's the most effective direction of music since 'Birdman'.
If you weren't already aware, this list is not for the uninitiated. Here at DamianMichaelMovies.com, we tend to do off-kilter things, like suggest you should check 'Transformers: The Last Knight' out on cable, because why should we be the only ones to suffer? Well one movie that made up for some of the misery that was 2017, was 'The Lego Batman'. A film that took Batman, a character that's been a part of film history for decades and gave him his best treatment yet, all while knocking him down several pegs. It's a great script and finds a tremendous balance between references, humour, and genuinely moving character work. In a damn Lego movie.
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Shane Black has yet to disappoint me. Even his worst movies have moments of brilliance. |
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I expected this to be one of the worst of the year. How I love being wrong. |
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