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polarization and a seeming crisis of faith in core democratic values.
(1:30-2:15) The Public Sphere
Can democracy survive in an age of increasing inequality and global high finance, and can journalism and non-fiction filmmaking help?
(2:15-3:00) Media Manipulation
What does it mean when journalism - once a tool for democratic empowerment - becomes an amplifier of fear, misinformation, and political division?
(3:30 - 5:00) Documentary as Co-Creation
Make media with people and within communities rather than for or about; Focus on process rather than just product; Reframe who gets to tell and represent which story and why; Create and use new technology, new workflows, new tools, new kinds of teams --- these are but a few of the tenets proposed for new models of co-creation. This conversation brings together a constellation of co-creators, all actively engaged in finding a new language of storytelling that shifts narrative paradigms. Together they discuss their approaches to not only interpreting the world, but also changing it.
SUNDAY, SEPTEMBER 16
Kindling Fund / SPACE Gallery session (12pm - 1pm)
The Kindling Fund supports artist-organized projects that engage audiences and incorporate the visual arts in meaningful ways. With a focus on experimentation, the Fund distributes grants to Maine artists ranging from $1,500 - $5,000. Successful applications value unconventional engagement, critical dialogue, collaboration, and create new models for presenting artists' work. This event is one of six statewide informational sessions that are free and open to the public. Attendance is recommended for applicants living in Maine who are not currently enrolled in an academic program.
2018 Artist Programs
Each of Points North Institute’s Artist Support Programs are designed to connect filmmakers with mentors, funders and potential collaborators, using the Camden International Film Festival as a platform to build a community of support, nurture the careers of diverse nonfiction storytellers, and help them develop a stronger artistic voice.
PNI Artist Programs Include the Points North Fellowship and Pitch, The North Star Residency, The Shortform Editing Residency, The Camden/TFI Retreat, and the Points North 1:1 Meetings.
In 2018, Points North is offering two week-long residency programs for early-career filmmakers.
The North Star Residency brings together five young filmmakers of color to participate in career-building workshops, screenings, critical discussions and industry meetings, while living and working together in a large private residence. The program was developed in partnership with Kickstarter. Additional support provided by RYOT Films, the School of Visual Arts Social Documentary MFA program and Maine Media Workshops + College, which is offering a $1200 tuition scholarship to all 2018 North Star filmmakers.
The 3rd edition of the Shortform Editing Residency is made possible by POV, which joins for the first time as a Major Sponsor, with additional support from the MAE Private Foundation. The residency convenes four filmmakers with short documentary in post-production for a week of focused editing, workshops and industry meetings.
Points North’s 1:1 Meetings program connects 15 documentary features in development with more than 15 Industry Delegates, including representatives from Ford Foundation, Sundance Institute, Cinereach, Pulse Films, San Francisco Film Society, ITVS, Field of Vision and more.
“This year, we welcome 3 different artist programs to Midcoast Maine in the week leading up the festival, and their seminars and workshops will flow into the 3-day Forum, which is designed to be accessible and energising; productive but also provocative’’ says Senior Programmer Samara Chadwick. “Our intent is to create the fertile soils in which new works can continue to grow, and where the richness of filmmakers’ behind-the-scenes processes can be shared with the greater public.”
Points North Fellowship
Mentors: Kristin Feeley (Sundance Institute), Andrea Meditch (Back Allie Films), Monika Navarro (ITVS)
The 2018 Points North Fellows are:
The Ark
When two eccentric, blue-collar workers face eviction from their home in upscale Southampton, they come up with a marvelous plan – a broken-down 50-foot yacht and a chance of redemption. The Ark is a dark, comedic observational documentary about those who thrive in the strange and dangerous cracks of the American Dream.
Directed by Madeline Gordon
Producer by Francesca Pagani, Paul Gallasch
The In Between
Through a collection of interweaving vignettes, The In Between follows a cast of characters that take us on a tour of life on the Mexican-American border. Here, people’s lives are spread across two countries, connected by a bridge that everyone must cross. Following a journalist capturing the changing landscape as a new administration settles in, a mother straddling a life in two countries to keep her family together, and the quotidian moments of the lives lived in between two nations and their cultures. The In Between is a poetic ode to a greater reality of the border, offering a nuanced and intimate portrait of a place and its people at the heart of Mexican-American identity.
Directed by Robie Flores
Joonam
Joonam is the story of one filmmaker’s search to uncover her family’s Iranian past. Diving head first into the precarious coming-of-age tales of her grandmother, mother, and self, the filmmaker reflects on the evolving shape of girlhood across her family’s path from Iran to America. A deeply personal story following three generations of women, Joonam explores the relationships between mother and daughter, Iran and America, and the immigrant experience as it echoes through time.
Directed by Sierra Urich
Light Darkness Light
Light Darkness Light follows Ian’s pioneering journey into medical history as he becomes one of the first people in the world to receive a bionic eye implant and see again after thirty years of blindness. Told through Ian’s intimate, first person experience as he participates in an experimental medical trial, the film presents an expansive personal odyssey that explores the nature of perception, faith, technology, memory, and the construct of reality.
Directed by Landon Van Soest
Produced by Trevor Martin
Plan C for Civilization
In 2019 a team of scientists launch a 300-foot balloon into Earth's stratosphere - the first step toward a “geoengineering” technology to shield us from the sun, putting human hands on the levers of Earth's climate. Decades after the first warnings that carbon emissions would steer us toward a cliff, endless catastrophes signal we’re already in freefall. Geoengineering could buy us time or trigger unintended effects that ripple across our planet. Is this a threshold we’re willing to cross?
Directed by Ben Kalina, Jennifer Schneider
The Sacred and the Snake
The Sacred and the Snake' is a vérité, character-driven documentary about four Native oil pipeline fighters - Lauren, Olive, Cheryl, and Vanessa - who reinvent themselves through their experiences at Standing Rock.
Directed by Sara Lafleur-Vetter, Jonathan Klett
Produced by Romin Lee Johnson
North Star Residency
Mentors: Iyabo Boyd (Brown Girls Doc Mafia), Tracy Rector (Vision Maker Media), Assia Boundaoui (The Feeling of Being Watched), Elise McCave + Liz Cook Mowe (Kickstarter), Monika Navarro + Pamela Torno (ITVS), Andrea Meditch (Back Allie Films)
The 2018 North Star Residency recipients are:
BRITTANY SHYNE
Brittany Shyne’s works analyze race, gender and culture by utilizing observational techniques and poetic language. Her films seek to depict the complexity of the human experience by examining themes such as personal histories; alienation, and cultural modernization. Brittany is currently working on a documentary project about generational black farmers.
DANIEL CHEIN
Daniel Chein is an independent filmmaker whose work explores transculturalism and expressions of identity in the performative. His feature documentary in development, SONSPLITTER, profiles a German Turk dancer for the internationally renowned Tanztheater Wuppertal Pina Bausch, tracing his identity and intergenerational trauma through the lens of performance.
MILTON GUILLEN
Milton Guillén is a Nicaraguan independent filmmaker who dwells in the borders between fiction and documentaries and the cinematic intersections of ethnographic research and sensorial experiences. At the moment Milton is working on an observational auter-ish anthology of displaced activists/refugees that focuses on both the physical and mental health threats they face in their newly found spaces.
VICKY DU
Vicky Du has directed and edited films for Art21, TEDx, The New York Times, The New Yorker, The North Face, and her short film GAYSIANS (2016) screened at 30+ film festivals worldwide. She is currently in production on her first feature documentary on Chinese diaspora and intergenerational trauma.
SHELBY COLEY
Shelby Zoe Coley is a Black queer filmmaker working across nonfiction and documentary forms. Shelby uses rhythm portraiture and the spoken word to explore intersections between queerness race and creative practices––from documenting renowned lesbian performance troupe Split Britches to detailing the origin story of #MeToo Founder Tarana Burke.
More details on the program are available at: https://pointsnorthinstitute.star-residency/
Shortform Editing Residency
Mentors: Donal Mosher + Michael Palmieri (The Gospel of Eureka), Chloe Gbai (POV), Mary Lampson (Editor), Lindsay Utz (Editor), Emmanuel Vaughn-Lee (Earthrise), Monika Navarro + Pamela Torno (ITVS)
The 2018 Shortform Editing Residency selections are:
DRAWING LIFE
Drawing Life combines documentary footage of cartoonist George Booth, with animated stories from his long life, exploring his singular vision of America, and how Booth’s work surmounts lines of class to show a shared humanity. Drawing Life is the first episode in a short form documentary series about visual artists working in cartooning and graphic novel formats.
Directed by Nathan Fitch
LUPITA, LA SEMILLA (LUPITA, THE SEED THAT SURVIVED)
Set against the backdrop of autonomous Zapatista territory, forced indigenous displacement, increased militarization, and the 2018 elections, we dive into the story of Guadalupe Vázquez Luna — Lupita-- a beautiful and humble massacre survivor who finds her voice alongside “Marichuy,” the first indigenous woman to campaign for president of Mexico. The film asks the viewer, if anyone can change the future and consciousness of Mexico, could it be her?
Directed by Monica Wise
A SHOT AT REDEMPTION
In 1982, James Stevens (now known legally as TJ Stevens) went to his high school in Northern Virginia with a high-powered rifle, intending to kill himself and anyone else he saw. He shot up the school and took 10 adults hostage for 21 hours, but in the end, no one was hurt. Thirty-six years later, as the rates of mass shooting and suicides are increasing, TJ is ready to talk about his experience and what changed him — a portrait of a complicated man with many twists and turns in his quest for personal redemption.
Directed by Carolyn McCulley
SUSTAINED OUTRAGE
For over 100 years, the family-owned Charleston Gazette-Mail has been a relentless watchdog over West Virginia’s most powerful, propelled by its unofficial mantra: “Sustained Outrage”. But just eight months after winning the Pulitzer Prize for investigative reporting, the Gazette-Mail grappled with a painful reality: after decades of dwindling readership and revenue, the paper filed for bankruptcy. An intimate look inside the paper, following in real-time as the future of the paper is decided.
Directed by Gabriela Cavanagh
More details on the program are available at: https://pointsnorthinstitute.org/artist-programs/shortform-residency/
Link Souce
(1:30-2:15) The Public Sphere
Can democracy survive in an age of increasing inequality and global high finance, and can journalism and non-fiction filmmaking help?
- Astra Taylor (WHAT IS DEMOCRACY?)
- Director (SECRET SCREENING)
(2:15-3:00) Media Manipulation
What does it mean when journalism - once a tool for democratic empowerment - becomes an amplifier of fear, misinformation, and political division?
- Alexis Bloom (DIVIDE AND CONQUER)
- Alex Gibney (DIVIDE AND CONQUER)
- Maxim Pozdorovkin (THE TRUTH ABOUT KILLER ROBOTS)
- Sky Sitney (Double Exposure Film Festival)
(3:30 - 5:00) Documentary as Co-Creation
Make media with people and within communities rather than for or about; Focus on process rather than just product; Reframe who gets to tell and represent which story and why; Create and use new technology, new workflows, new tools, new kinds of teams --- these are but a few of the tenets proposed for new models of co-creation. This conversation brings together a constellation of co-creators, all actively engaged in finding a new language of storytelling that shifts narrative paradigms. Together they discuss their approaches to not only interpreting the world, but also changing it.
- Adam Mazo (DAWNLAND)
- Tracy Rector (DAWNLAND)
- Nick Pilarski (FIREFLIES: A BROWNSVILLE STORY)
- Jasmine Bowie (Brownsville Community Justice Center)
- Banker White, Arthur Pratt (SURVIVORS)
- Assia Boundaoui (THE FEELING OF BEING WATCHED)
- Moderated by: Molly Murphy (Working Films' StoryShift initiative)
SUNDAY, SEPTEMBER 16
Kindling Fund / SPACE Gallery session (12pm - 1pm)
The Kindling Fund supports artist-organized projects that engage audiences and incorporate the visual arts in meaningful ways. With a focus on experimentation, the Fund distributes grants to Maine artists ranging from $1,500 - $5,000. Successful applications value unconventional engagement, critical dialogue, collaboration, and create new models for presenting artists' work. This event is one of six statewide informational sessions that are free and open to the public. Attendance is recommended for applicants living in Maine who are not currently enrolled in an academic program.
- Elizabeth Spavento (SPACE Gallery)
2018 Artist Programs
Each of Points North Institute’s Artist Support Programs are designed to connect filmmakers with mentors, funders and potential collaborators, using the Camden International Film Festival as a platform to build a community of support, nurture the careers of diverse nonfiction storytellers, and help them develop a stronger artistic voice.
PNI Artist Programs Include the Points North Fellowship and Pitch, The North Star Residency, The Shortform Editing Residency, The Camden/TFI Retreat, and the Points North 1:1 Meetings.
In 2018, Points North is offering two week-long residency programs for early-career filmmakers.
The North Star Residency brings together five young filmmakers of color to participate in career-building workshops, screenings, critical discussions and industry meetings, while living and working together in a large private residence. The program was developed in partnership with Kickstarter. Additional support provided by RYOT Films, the School of Visual Arts Social Documentary MFA program and Maine Media Workshops + College, which is offering a $1200 tuition scholarship to all 2018 North Star filmmakers.
The 3rd edition of the Shortform Editing Residency is made possible by POV, which joins for the first time as a Major Sponsor, with additional support from the MAE Private Foundation. The residency convenes four filmmakers with short documentary in post-production for a week of focused editing, workshops and industry meetings.
Points North’s 1:1 Meetings program connects 15 documentary features in development with more than 15 Industry Delegates, including representatives from Ford Foundation, Sundance Institute, Cinereach, Pulse Films, San Francisco Film Society, ITVS, Field of Vision and more.
“This year, we welcome 3 different artist programs to Midcoast Maine in the week leading up the festival, and their seminars and workshops will flow into the 3-day Forum, which is designed to be accessible and energising; productive but also provocative’’ says Senior Programmer Samara Chadwick. “Our intent is to create the fertile soils in which new works can continue to grow, and where the richness of filmmakers’ behind-the-scenes processes can be shared with the greater public.”
We are proud to announce the selections for the 2018 Points North Institute Artist Programs:
Points North Fellowship
Mentors: Kristin Feeley (Sundance Institute), Andrea Meditch (Back Allie Films), Monika Navarro (ITVS)
The 2018 Points North Fellows are:
The Ark
When two eccentric, blue-collar workers face eviction from their home in upscale Southampton, they come up with a marvelous plan – a broken-down 50-foot yacht and a chance of redemption. The Ark is a dark, comedic observational documentary about those who thrive in the strange and dangerous cracks of the American Dream.
Directed by Madeline Gordon
Producer by Francesca Pagani, Paul Gallasch
The In Between
Through a collection of interweaving vignettes, The In Between follows a cast of characters that take us on a tour of life on the Mexican-American border. Here, people’s lives are spread across two countries, connected by a bridge that everyone must cross. Following a journalist capturing the changing landscape as a new administration settles in, a mother straddling a life in two countries to keep her family together, and the quotidian moments of the lives lived in between two nations and their cultures. The In Between is a poetic ode to a greater reality of the border, offering a nuanced and intimate portrait of a place and its people at the heart of Mexican-American identity.
Directed by Robie Flores
Joonam
Joonam is the story of one filmmaker’s search to uncover her family’s Iranian past. Diving head first into the precarious coming-of-age tales of her grandmother, mother, and self, the filmmaker reflects on the evolving shape of girlhood across her family’s path from Iran to America. A deeply personal story following three generations of women, Joonam explores the relationships between mother and daughter, Iran and America, and the immigrant experience as it echoes through time.
Directed by Sierra Urich
Light Darkness Light
Light Darkness Light follows Ian’s pioneering journey into medical history as he becomes one of the first people in the world to receive a bionic eye implant and see again after thirty years of blindness. Told through Ian’s intimate, first person experience as he participates in an experimental medical trial, the film presents an expansive personal odyssey that explores the nature of perception, faith, technology, memory, and the construct of reality.
Directed by Landon Van Soest
Produced by Trevor Martin
Plan C for Civilization
In 2019 a team of scientists launch a 300-foot balloon into Earth's stratosphere - the first step toward a “geoengineering” technology to shield us from the sun, putting human hands on the levers of Earth's climate. Decades after the first warnings that carbon emissions would steer us toward a cliff, endless catastrophes signal we’re already in freefall. Geoengineering could buy us time or trigger unintended effects that ripple across our planet. Is this a threshold we’re willing to cross?
Directed by Ben Kalina, Jennifer Schneider
The Sacred and the Snake
The Sacred and the Snake' is a vérité, character-driven documentary about four Native oil pipeline fighters - Lauren, Olive, Cheryl, and Vanessa - who reinvent themselves through their experiences at Standing Rock.
Directed by Sara Lafleur-Vetter, Jonathan Klett
Produced by Romin Lee Johnson
North Star Residency
Mentors: Iyabo Boyd (Brown Girls Doc Mafia), Tracy Rector (Vision Maker Media), Assia Boundaoui (The Feeling of Being Watched), Elise McCave + Liz Cook Mowe (Kickstarter), Monika Navarro + Pamela Torno (ITVS), Andrea Meditch (Back Allie Films)
The 2018 North Star Residency recipients are:
BRITTANY SHYNE
Brittany Shyne’s works analyze race, gender and culture by utilizing observational techniques and poetic language. Her films seek to depict the complexity of the human experience by examining themes such as personal histories; alienation, and cultural modernization. Brittany is currently working on a documentary project about generational black farmers.
DANIEL CHEIN
Daniel Chein is an independent filmmaker whose work explores transculturalism and expressions of identity in the performative. His feature documentary in development, SONSPLITTER, profiles a German Turk dancer for the internationally renowned Tanztheater Wuppertal Pina Bausch, tracing his identity and intergenerational trauma through the lens of performance.
MILTON GUILLEN
Milton Guillén is a Nicaraguan independent filmmaker who dwells in the borders between fiction and documentaries and the cinematic intersections of ethnographic research and sensorial experiences. At the moment Milton is working on an observational auter-ish anthology of displaced activists/refugees that focuses on both the physical and mental health threats they face in their newly found spaces.
VICKY DU
Vicky Du has directed and edited films for Art21, TEDx, The New York Times, The New Yorker, The North Face, and her short film GAYSIANS (2016) screened at 30+ film festivals worldwide. She is currently in production on her first feature documentary on Chinese diaspora and intergenerational trauma.
SHELBY COLEY
Shelby Zoe Coley is a Black queer filmmaker working across nonfiction and documentary forms. Shelby uses rhythm portraiture and the spoken word to explore intersections between queerness race and creative practices––from documenting renowned lesbian performance troupe Split Britches to detailing the origin story of #MeToo Founder Tarana Burke.
More details on the program are available at: https://pointsnorthinstitute.
Shortform Editing Residency
Mentors: Donal Mosher + Michael Palmieri (The Gospel of Eureka), Chloe Gbai (POV), Mary Lampson (Editor), Lindsay Utz (Editor), Emmanuel Vaughn-Lee (Earthrise), Monika Navarro + Pamela Torno (ITVS)
The 2018 Shortform Editing Residency selections are:
DRAWING LIFE
Drawing Life combines documentary footage of cartoonist George Booth, with animated stories from his long life, exploring his singular vision of America, and how Booth’s work surmounts lines of class to show a shared humanity. Drawing Life is the first episode in a short form documentary series about visual artists working in cartooning and graphic novel formats.
Directed by Nathan Fitch
LUPITA, LA SEMILLA (LUPITA, THE SEED THAT SURVIVED)
Set against the backdrop of autonomous Zapatista territory, forced indigenous displacement, increased militarization, and the 2018 elections, we dive into the story of Guadalupe Vázquez Luna — Lupita-- a beautiful and humble massacre survivor who finds her voice alongside “Marichuy,” the first indigenous woman to campaign for president of Mexico. The film asks the viewer, if anyone can change the future and consciousness of Mexico, could it be her?
Directed by Monica Wise
A SHOT AT REDEMPTION
In 1982, James Stevens (now known legally as TJ Stevens) went to his high school in Northern Virginia with a high-powered rifle, intending to kill himself and anyone else he saw. He shot up the school and took 10 adults hostage for 21 hours, but in the end, no one was hurt. Thirty-six years later, as the rates of mass shooting and suicides are increasing, TJ is ready to talk about his experience and what changed him — a portrait of a complicated man with many twists and turns in his quest for personal redemption.
Directed by Carolyn McCulley
SUSTAINED OUTRAGE
For over 100 years, the family-owned Charleston Gazette-Mail has been a relentless watchdog over West Virginia’s most powerful, propelled by its unofficial mantra: “Sustained Outrage”. But just eight months after winning the Pulitzer Prize for investigative reporting, the Gazette-Mail grappled with a painful reality: after decades of dwindling readership and revenue, the paper filed for bankruptcy. An intimate look inside the paper, following in real-time as the future of the paper is decided.
Directed by Gabriela Cavanagh
More details on the program are available at: https://pointsnorthinstitute.
About the Points North Institute
Established in 2016, the Points North Institute is the launching pad for the next generation of nonfiction storytellers. Building on the success of the Camden International Film Festival, the Points North Institute’s mission is to bring together a unique, interdisciplinary community of filmmakers, artists, journalists, industry leaders, and audiences, forming a creative hub on the coast of Maine where new stories and talent are discovered, collaborations are born, and the future of nonfiction media is shaped.
Programs include the annual Camden International Film Festival and Points North Forum, as well as a year-round calendar of artist development initiatives that nurture the careers of diverse nonfiction storytellers and help them develop a stronger artistic voice.
Founded in 2005 and recognized as one of the top documentary film festivals in the world, the Camden International Film Festival (CIFF) brings the finest non-fiction cinema to the coast of Maine, showcasing nearly 80 documentary films from around the globe each fall. Running concurrently with CIFF, the Points North Forum provides filmmakers with opportunities for professional development and creative inspiration.
Past Forum industry participants include representatives from HBO, A&E, CNN Films, Ford Foundation, MacArthur Foundation, and the Sundance Institute.
The 2018 Camden International Film Festival and Points North Forum will take place September 13 - 16 in Camden, Rockport and Rockland, Maine. Major support provided by Showtime Documentary Films, the National Endowment for the Arts, and the Academy of Motion Picture Arts and Sciences.
For more information visit http://pointsnorthinstitute.
Established in 2016, the Points North Institute is the launching pad for the next generation of nonfiction storytellers. Building on the success of the Camden International Film Festival, the Points North Institute’s mission is to bring together a unique, interdisciplinary community of filmmakers, artists, journalists, industry leaders, and audiences, forming a creative hub on the coast of Maine where new stories and talent are discovered, collaborations are born, and the future of nonfiction media is shaped.
Programs include the annual Camden International Film Festival and Points North Forum, as well as a year-round calendar of artist development initiatives that nurture the careers of diverse nonfiction storytellers and help them develop a stronger artistic voice.
Founded in 2005 and recognized as one of the top documentary film festivals in the world, the Camden International Film Festival (CIFF) brings the finest non-fiction cinema to the coast of Maine, showcasing nearly 80 documentary films from around the globe each fall. Running concurrently with CIFF, the Points North Forum provides filmmakers with opportunities for professional development and creative inspiration.
Past Forum industry participants include representatives from HBO, A&E, CNN Films, Ford Foundation, MacArthur Foundation, and the Sundance Institute.
The 2018 Camden International Film Festival and Points North Forum will take place September 13 - 16 in Camden, Rockport and Rockland, Maine. Major support provided by Showtime Documentary Films, the National Endowment for the Arts, and the Academy of Motion Picture Arts and Sciences.
For more information visit http://pointsnorthinstitute.
Link Souce
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