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Whether it’s actually good is another matter. The script, credited to Will Beall and David Leslie Johnson-McGoldrick, is a tiresome origin story that’s full of stale clunkers about heroism and destiny, while the lead performances, by Jason Momoa as the titular man-fish hybrid and Amber Heard as his protector-cum-partner, are not exactly
Beyond the alluring costumes, Wan brings a visual panache to the film that’s both bracing and deceptively intricate. Much of the movie naturally takes place underwater, and the nifty special effects—even during basic conversation scenes, characters gently float and bob rather than remaining static—convince your brain that these people are actually talking and moving while submerged in the Atlantic. And despite some fun underwater duels, Wan actually does his best work above ground, as in an early scene where a woman deftly fends off three attacking soldiers or—in the film’s most thrilling sequence—a sprawling chase across the rooftops of Sicily that evokes the heyday of Indiana Jones. Wan’s craftsmanship is matched by the professionalism of his supporting cast, with solid performances from Patrick Wilson, Willem Dafoe, and (especially) Nicole Kidman. They’re all working hard, which helps Wan make the familiar arc of a superhero’s journey—the crises of faith, the tedious mythology, the hectic searches for glittering MacGuffins—look enjoyably easy.
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