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Albert Finney and friend. |
The film opens with the vicious early morning murders of a rich industrialist, his wife, and their chauffeur in a New York City park. A high tech security firm and the police suspect that it's the work of a terrorist group. However, detective Dewey Wilson (Albert Finney) is puzzled by the nature of the savage wounds, missing body organs, and a hair from an unidentified animal. When a similar hair is found on the body of a dead bum in the slums, Dewey concludes that the two crimes must somehow be related.
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A rundown church is the setting for one of the best scenes. |
The film's biggest challenge is its gaps in narrative structure. This is not surprising considering that director Michael Wadleigh delivered a 4 1/2 hour cut of Wolfen and was promptly removed from the post-production process. It may explain why we never learn the destiny of a dog that accompanied the couple in the opening
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Gregory Hines. |
Director Wadleigh avoids showing the Wolfen for most of the film. Instead, he relies on the old trick of showing us what the creatures see. To inject some additional visual interest, he uses a process similar to thermal imaging. It's an effective technique at first, but wears thin about the fifth time he employs it. To Wadleigh's credit, though, when we finally see the Wolfen (after about 80 minutes), it's a tense scene and the creatures are impressive-looking.
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Anne Marie Pohtamo. |
Wolfen is the the only fictional film directed by Michael Wadleigh. His other films are documentaries, though one is pretty famous. It's called Woodstock.
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