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Things do pick up a little when the awkward squad reaches Europe. One of the intended highlights is a show put on by the troops in which some of the performers, including Elmer, hit the stage in drag. The joke is that Elmer's out of sync with the other "ladies," and that's about it, as if Keaton's mere awkwardness was supposed to be hilarious. Somewhat better is his performance, still in drag, in the dreaded Apache dance, but it's merely violent without the grace a silent Keaton might have lent the scene. My favorite bit is when Elmer blunders into a German trench, only to find his former butler (Arnold Korff) leading a band of starving but friendly troops. Tasked with taking prisoners, Elmer takes their orders for dinner -- they want all the stereotypical Teutonic favorites -- but gets involved in a final adventure with Mary and an unexploded shell before the war ends and the enemy can be fed. There's something dimly Keatonesque about Elmer and Mary's pathetic attempts to deactivate the shell, but it'll only make you think of what a Keaton with full creative control might have made of the war. The ending at least has some redeeming nastiness. Elmer has inherited the family business in peacetime and has installed his war buddies as directors, while hiring Brophy the drill instructor to be a humble janitor, but this scene of triumph is disrupted by the riveting at a nearby construction project, which sends all the veterans scampering for cover. I guess we don't laugh at such moments anymore, but in an M-G-M Keaton picture you take your laughs wherever you can.
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