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The most New York Film Festival film I’ve seen in years, it is high art mixing with obtuse musings. It is the sort of film that can only be found playing at NYFF or one of Manhattan’s art houses or museums. It’s a film for a special audience and not for general viewing (there are no explosions or CGI creatures to hold the attention of the mass of today’s cinema goers).
Personally I don’t know what I think of the film. It’s a
While I love portions of the film and would love to have many of the images hanging on my wall, I do think people are giving it and the director way too much credit for making a masterpiece. I know a lot of people spending an inordinate amount of time on trying to deduce how the dog and donkey that open and close the film fit into the greater scheme of the film. For my money they are all over thinking it and they shouldn’t be looking at the opening closing as a dog and donkey, rather as a dog and pony since ultimately that’s the sort of show this is.
I WAS HOME,BUT... plays again October 9 at the NYFF. For tickets and more information go here.
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