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Streaming Movie-
The Host (2006)
Directed by: Joon-ho Bong.
Written by: Joon-ho Bong & Won-jun Ha & Chul-hyun Baek.
Starring: Kang-ho Song (Park Gang-Doo), Hee-Bong Byun (Park Hie-bong), Hae-il Park (Park Nam-il), Doona Bae (Park Nam-Joo), Ko Asung (Park Hyun-seo), Dal-su Oh (The Monster -voice), Jae-eung Lee (Se-jin), Dong-ho Lee (Se-joo), Je-mun Yun (Homeless Man).
The Host is a giant monster movie, a family drama, a social satire, a cautionary environment tale, and even a slapstick comedy all rolled into one. Those elements really should work together – they shouldn’t be able to c0-exist, without something being shortchanged. And yet, miraculously, they exist in perfect harmony in Bong Joon-ho’s magnificent film. It’s a film that will scare you, touch you emotionally, make you laugh and make you think – and it’s all rolled into one of the most entertaining packages imaginable. It’s a minor miracle of a movie.
The first scene in the film has an American scientist (of course) directing his Korean underling to pour formaldehyde – a lot of formaldehyde – down the drain, despite that underling’s protestations that it will all end up in the Han river. The river is vast he is told, so it won’t matter. A few years later, a couple of fisherman are in that river, and see a tiny creature that shouldn’t be – they are fascinated by it, but when it gets away, they don’t think too much about it. A few after that, that tiny creature has become huge – and hungry – and its preferred prey is people. So starts the greatest killer giant animal movie since Jaws.
The Host sees all this through the eyes of a single Korean family – the Parks. Gang-Doo (Kang-ho Song) is the irresponsible single father of a girl on the verge of teenage hood – Hyun-seo (Ko Asung). He still works for his father, Hie-bong (Hee-Bong Byun), who runs a small food store down by the Han river to anyone around. His sister, Nam-Joo (Doona Bae) is an expert archer – one of the best in Korea – although she seems to get in her own way too often to win the big competition. His brother Nam-il (Hae-il Park) is a college graduate, looking to get into business, but currently unemployed. They will be at the heart of every scene in the film – their somewhat troubled, but always loving relationship is the emotional core of the film.
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Gang-Doo and Hyun-Seo are at that food store when the first attack by the monster happens. This is a comparatively low-budget film to Hollywood blockbuster, but Bong and company do a terrific job with the special effects. The first attack seemingly comes out of nowhere – at first, they simply see something hanging from a bridge, and have no idea what it is. It disappears into the water – and then is slowly revealed to be on the land – marauding through the crowd. To Gang-Doo’s credit, he doesn’t simply run away – he tries that, but it doesn’t work – but he also fights back against the creature, for all the good it does him. But he makes a critical mistake during the chaos – he grabs the hand of the wrong girl to try and lead to safety – and in the confusion, the monster grabs Hyun-Seo. But, he doesn’t kill her – instead it takes her to his strange, underground hideaway – likely to eat later – but not quite yet. The rest of the movie is the Park’s family desperate attempt to rescue her – and her own ingenious attempts to rescue herself.
The film weaves together a lot of different elements in its narrative. The family drama is set at a very high level – the scene at the mass funeral, when they are grieving for the apparently dead Hyun-seo is almost over-the-top in its physical comedy – which each family trying to outdo the others, to show just how much they cared about her. And yet, the family dynamic still feels real – still feels like this is a family, with all that petty infighting, giving way to something greater – they are there for each other when the chips are down.
But if you think all that comedy would make The Host any less scary, you’d be wrong, I’ve already mentioned the terrific opening attack – it’s a doozy – but every scene of little Hyun-seo (who will gain a friend – an even smaller boy who she protects) is downright terrifying. You never know when the monster will reappear – and what she’ll do when it does arrive. The scene where she tries to use the monster to get out of the pit is masterful – how Bong shows the result is a perfect reveal.
The film is exciting – it is a giant monster movie, and it doesn’t rob you of what you expect in that regard. The fight sequences with the monster throughout are brilliantly staged – the film doesn’t hide the monster, but also doesn’t make it front and center in everything it does. And throughout, there is certainly a social critique going on – a depiction of Korean bureaucracy that doesn’t really lend itself to any sort of concrete action to save anyone – or really, any real plan to combat the monster at all. It’s more than that of course – the prologue makes it clear that the film is also about America intervening in foreign countries – and the havoc that is so often the result. The film has more than a little of the original Godzilla in its DNA.
Mostly though, all those ideas wouldn’t matter without Bong’s execution of it all. Yes, he is aided greatly by the cast – who is able to sell the tonal shifts that could have otherwise become a distraction. But what marks the film is special is his visual imagination. He doesn’t try to hide the monster in darkness – most of the time, it’s right out there in broad daylight. And yet what he does do, is often introduce the monster from afar, or from off-screen, or the corner of the screen. It pops up when you don’t expect it to. That helps because the special effects budget clearly isn’t huge – but you never think of that when you see the film, because you’re so caught up in it all. The Host does a lot of things – all of them well – and it makes for a complex and hugely entertaining final product.
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