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But occupying its center is one of the great aberrations of the genre: Marta Cabrera (Ana de Armas), a character who acts and wins not because she’s the smartest person in the room nor the most ruthless. Instead, she succeeds simply because she has the kindest heart. The opening thirty minutes sees her pulled into the center of a murder investigation when her client, wealthy mystery novelist Harlan Thrombey (Christopher Plummer), is found dead under suspicious circumstances.
There are many amazing things to recommend Knives Out: one of the tightest screenplays of not just 2019 but of the entire decade; an ensemble cast of Hollywood A-listers (Evans! Collette! Curtis!) and seasoned character actors (Walsh! Oz! Callan!) all clearly having the times of the lives; Daniel Craig’s revelatory turn as Detective Benoit Blanc, a deep-fried Southern private detective part Colonel Sanders and part Foghorn Leghorn. But it’s Marta Cabrera that makes a great piece of entertainment into an essential statement for our times. It’s tempting to compare it with Bong Joon-ho’s Parasite, another class-divide thriller. But whereas it judged rich and poor as equally cruel, this one sees a redemptive good in at least some of us.
Rating: 10/10
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