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Finally sat down with the wife to watch this oft-referred-to film. Not bad, and I can see why it generates a lot of discussion and debate, even nearly 15 years after its release.
The movie follows Andy Sachs (Anne Hathaway), an aspiring young journalist struggling to land work as a writer in New York City. Looking for any way to get her foot in some kind of door, Andy applies to become an assistant to Miranda Priestly (Meryl Streep), the brutally exacting and vicious editor-in-chief of an immensely popular and prestigious fashion magazine. Despite knowing and caring very little about fashion, Andy lands the job, agreeing to be Miranda's assistant for a year, in the hopes of getting a bulletproof recommendation for a job in journalism. After many rough growing pains and adjustment, Andy embraces the world of high fashion, along with the incessant and often boundless demands of her boss, eventually alienating her closest friends. By the end of the tale, Andy has learned Miranda's one great lesson to her: reaching the top of the world of fashion requires a ruthlessness and focus that Andy simply does not have. Still, Miranda helps her land a good job at a New York City newspaper, thus kickstarting her career as a journalist.
It's not hard to see why this movie is basically like mainlining heroin for anyone remotely concerned with fashion. You have a ton of great actors and beautiful people putting on great performances, nearly all dressed in flawlessly chic outfits, turning in great performances. Even more, these dynamic characters are all about the world of looking striking and powerful through your clothing. In short, if you dig really nice clothes, you'll dig looking at this movie. Of course, the film goes beyond this, digging into the essence of fashion (to an extent) and its greater place in society. This is what makes Andy's character essential. Like many of us, she's a fashion neophyte, so her entry into the world is our entry to the world, and it's handled well enough that even someone like me can find it interesting.
The greater reason that this movie was and still is so often discussed is the Miranda Priestly character and, to a lesser extent, her relationship with Andy. I see three aspects to Miranda that inspire debate: representing a successful woman in a cutthroat business, her management style, and her estimation of fashion's place in the world. Based on the Lauren Weisberger novel of the same name, The Devil Wears Prada is based on the author's time as an assistant to Vogue magazine editor Anna Wintour, so Weisberger had a first-hand look at a woman who makes it to the top of this very industry. The movie certainly suggests that a woman must be at least as ruthless as a man to reach such heights, even though it doesn't completely dig into this theme.
The more obvious (and entertaining for many people) element to the movie is how Miranda is a Hall of Fame-level "horrible boss," in that she's brutally demanding of Andy and everyone else around her.
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Apparently, countless fans have weighed in on whether Andy's friends are good or horrible. Arguments can be made for both sides, but this actually speaks to a slight lack of depth in the film. |
I did enjoy that Andy ultimately turns her back on the fashion world. It does go some way towards suggesting that one's humanity is more important than pure success, especially conspicuous success. True to its nature, fashion is all about being seen a certain way, regardless of how true it is to the actual person putting it on display. This seems to be the moral of the story, if there is one, and I can get on board with that.
I'm glad that I finally got around to seeing this one, as it's so often referred to and is one that my wife has seen multiple times and enjoyed. I found it to be a well-made movie that raises some interesting themes. And while it doesn't dig into some of the more difficult questions as much as I might like, I appreciated the messy, grey areas that it included. Good movie, though not one that I'll feel the need to see again any time soon.
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