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Streaming Movie-
Blame *** ½ / *****
Directed by: Quinn Shephard.
Written by: Laurie Shephard & Quinn Shephard.
Starring: Quinn Shephard (Abigail Grey), Nadia Alexander (Melissa Bowman), Chris Messina (Jeremy Woods), Trieste Kelly Dunn (Jennifer), Tate Donovan (Robert McCarthy), Owen Campbell (TJ), Geneva Carr (Mrs. Howell), Tessa Albertson (Ellie Redgrave), Luke Slattery (Eric), Sarah Mezzanotte (Sophie Grant).
Blame was written and directed by, as well as starring, Quinn Shephard, who was only 22 when she made the film, and younger than that when she wrote it. It does suffer from some of the same flaws as many debut filmmakers do – in that Shephard tries to cram everything she ever wanted to say about high school and teenagers into one movie – and yet it’s still a fairly remarkable debut. Whatever problems the screenplay has, Shephard’s direction more than makes up for – the film get more dreamlike as it goes along, and yet Shephard is able to get a mounting sense of dread throughout. I wasn’t thrilled with the ending, but given the various ways things could have gone, its better than it could have been.
In the film, Shephard plays Abigail Grey – a young woman entering her senior year in high school. During her junior year, she had some mental issues, and was institutionalized for them – but her parents are convinced she is ready to come back to class. She is, of course, mocked and made fun of – called Sybil by her peers, after the book and TV show from the 1970s (this may be stretching credibility here – I’m not sure people in my high school 20 years ago would have gotten that reference). She makes a one connection in her school – with the new drama teacher, Jeremy Woods (Chris Messina). Woods, a failed actor, loves the theater, and looks forward to putting on play. He puts aside what he’s supposed to be working on – The Glass Menagerie (another touchstone for the Abigail character) and instead decides to do The Crucible – casting Abigail as her namesake, and eventually taking on the role of John Proctor himself (this is a horrible idea, for many reasons that should have been apparent to everyone). Their relationship becomes much too close.
The other major character is Melissa (Nadia Alexander), the head of the popular cheerleader crowd (although she’s kind of a goth cheerleader, which seems like a contradiction, but some works). She leads the torment against Abigail, and steps it up more than a little bit when Abigail gets the role she wanted. She’s also drinking, partying, betraying her friends, and fighting with her father (Tate Donovan). She is clearly messed up, and spiraling out of control.
As you can tell, Shephard’s film is jammed packed with the issues she’s trying to tackle – mental illness, bullying, peer pressure, teacher-student relationships, pedophilia, etc, etc. A better, more confident film may have just focused on a few of these aspects. In particular, I was struck by how Shephard is able to show the competition between teen girls, how they put each other down, how they compete for the same boys, and look to them to get a sense of self-worth, that can easily be destroyed. It’s a sad, destructive cycle, and it’s one Shephard gets right. The relationship between Jeremy and Abigail is strong as well – what she doesn’t know about him is that he is a weak, somewhat pathetic guy, who cannot resist the admiration she stares at him with. Messina still makes him real though – and although I think the film finds him too sympathetic, it’s a fascinating performance.
The screenplay for the film is too obvious – it wears its inspirations on its sleeve, and draws its lines a little too neatly. Yet the direction really does shine here – Shephard isn’t showing off in her more stylistic moments, but she is showing just how what an eye she has for capturing interesting moments, and visuals. She is also able to get strong performances out of her whole cast – including herself. In short, while I don’t think Blame is a great movie – it is a great debut. The fact that Shephard did it all when was just 22 shows her skill, and potential, to make something truly great one day.
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