Eighth Grade [2018]

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Streaming Movie-
MPAA (PG-13)  CNS/USCCB ()  RogerEbert.com (3 1/2 Stars)  AVClub (B+)  Fr. Dennis (4+ Stars)

IMDb listing
CNS/USCCB () review
Los Angeles Times (J. Chang) review
RogerEbert.com (S. O'Malley) review
AVClub (A.A. Dowd) review


Eighth Grade [2018] (screenplay and directed by Bo Burnham) is one of those small summer, often enough teenage / young adult angst filled, indie films that like Safety Not Guaranteed [2012], The Way, Way Back [2013], the "Before" series (Before Sunrise [1995], Before Sunset [2004] and Before Midnight [2013]) and Boyhood [2014] reminds a film lover like me _why_ I love films so much.

Yes, thanks to Terry Gross of NPR's Fresh AirI already knew a little about this film before I went to see it here at the Landmark Theater in Los Angeles, but I WAS COMPLETELY SOLD in the film's first thirty seconds, as one of the most jaw-droppingly sincere -- OMG this _couldn't possibly_ have been simply "read from a script" -- scenes that I've ever witnessed played.  It featured Kayla (played with dead-on sincerity throughout by Elsie Fisher), a thoroughly average, stumbling, a smattering of pimples and all, eighth grader video-recording herself for her little Vlog (with all of five subscribers ;-) on her entry's decided theme of the day -- "Confidence."   Once again, OMG, one just wanted to give her a hug.

And so the story went ... Kayla's just a thoroughly _normal_ middle school kid just about to finish eighth grade, young -- again, only in eight grade -- but already realizing that her life's not going to be what younger self (when she was in 6th grade (!) ...) thought it was going to be.  And yet, of course, that wasn't necessarily awful: there was always someone who'd drop into her life, even if for a moment, including not the least her single parent dad (played also with appropriate "OMG this parenting is sooo much, much harder / more complicated than I ever could have imagined but I've got keep smiling" honesty by Josh Hamilton) that helps her make it through.

The performances here are simply remarkable and the film's destined to be one of the best "teen age angst films" since The Breakfast Club [1985].  Indeed it may make that previous film (that I grew up on) feel positively like kitsch.

A simply outstanding job!


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