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Director Haiffa al-Mansour plays against type in helming the film. Mansour's prior feature Wadjda is set in Saudi Arabia featuring a pre-teen who also bucks the social norms of the day in her setting. The story has it's uneven moments but does shine when portraying the
Elle Fanning has good moments as Mary especially when battling against her step-mother, father, Percy and then publishers when attempting to get Frankenstein published. Bel Powely is effective as Claire Clairmont. Taking to bed when Mary traveled to Scotland. Tagging along when Mary runs off with Percy. Claire embodies the romantic era woman, displaying her charms to both Lord Byron and Percy perfectly happy to be a layabout wherever the troop shall land. Stephen Dillane is steadying in the role of Mary's dad William Godwin. A respected philosopher who will not let anyone speak badly of Mary's ultra-feminist mom. He is firm when needed but encouraging to Mary's growth and development.
Mary Shelly takes a different approach to tell the tale of the creation of Frankenstein. The attention is focused directly on the writer and her personal experiences as opposed to the excess and horror of that time in Geneva as portrayed in Ken Russell's Gothic. A bit more of the harder edge could have helped to show the inspiration for the tale as opposed to rooting it in the repeated disappointments she suffered at the hands of Percy. The film features several good elements of the time but lacks that electric spark to jolt the piece to life.
**1/2 Out of 4.
Marry Shelley | Haiffa al-Mansour | UK/ Luxembourg/USA | 2018 | 120 Minutes.
Tags: Frankenstein, Author, Poet, Romantic Era, Gothic, Scotland, Switzerland, London, Wine, Phantasmagoria, Galvanising, Reanimation, Science Fiction, The Nightmare.
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