SPECIAL MISSION LADY CHAPLIN (1966)

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For Ken Clark's last film as Dick Malloy, Agent 077, the credited director is Alberto De Martino but series creator Sergio Grieco is listed as a co-director in reference works. This one stands out for featuring something close to a female supervillain. Arabella Chaplin (Daniela Bianchi) is a famous fashion designer who doubles as an assassin. She's a master of disguise, though Malloy figures her out easily enough, having noticed a cut on her arm when she was done up as an old woman (to kill a hospitalized criminal) before seeing a similarly placed bandage on the otherwise glamorous "Lady" Chaplin. Her origins seem to be less humble, or so her mentor/employer, evil industrialist Kobre Zoltan (Jacques "The Hypnotic Eye" Bergerac) insinuates. They're making a play for the Polaris missiles lost with the real-life sunken nuclear submarine USS Thresher. The idea is to sell them to the Eastern bloc, but as Zoltan, a scorpion fetishist, grows more unstable the danger grows of his launching the missiles himself to spite the world. Bouncing back and forth from gratuitous trips to New York City to consult with his boss, Agent 077 must use all his skills, his strength and his masculine wiles to thwart the tricky, traitorous duo.

 The many faces of Lady Arabella Chaplin (Daniela Bianchi)

Lady Chaplin is a more stylish film than its predecessor, From the Orient with Fury, but that only makes sense with the greater focus on fashion and sexier women. It's somewhat disappointing to see the formidable Arabella as Zoltan's stooge, but as she finds Agent 077 an insurmountable and attractive antagonist she begins looking out for her own interests, playing all sides off each other to ensure her own survival. This doesn't quite work out, as Zoltan tosses her out of an airplane, but she's prepared for just such a contingency with a parachute and a machine gun to mow down Zoltan's minions on the ground. Malloy is his same old brawling self and gets to have some entertaining fights with a hook-handed henchman of Zoltan, but there are a few too many Goldfinger-inspired electrocutions for comfort this time out, and his bullring battle with a group of gangsters falls far short of the pop-art grandeur of the similarly-set, Coke-fueled combat in Tarzan and the Valley of Gold.

Speaking of Goldfinger, that film's massive success not only made films like Lady Chaplin possible but also persuaded their producers to commission title songs, often with unhappy results. The theme from Special Mission Lady Chaplin isn't quite the gibberish of many a spaghetti western jingle, or as inexcusably awful as many a High Noon-inspired anthem of the 1950s, but it does inflict on memory the regrettably deathless couplet, "Lady Chaplin, in your touch/There is something that means much." That earwig aside, Lady Chaplin is a more expansive and entertaining film than its predecessor. It makes one wish the series had gone on, perhaps with Lady Chaplin reappearing, but when Clark and Grieco teamed up for another spy film a year later, the actor had a new role, leaving it to those dependable Italians to make many more "Agent 077" films with different characters and actors. On the other hand, it may have been for the best for the series to end on this relatively high note.
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