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No real spoiler to report that Wiktor plans do not go as planned. He ends up in Paris alone, meeting up with Zula periodically as the next decade progresses. He's playing in Jazz bands, doing score music for film and falling in with the
Pawlikowski shines when he tells stories of a few individuals struggle to survive under the harshness that was the Communist rule in Poland. No one escapes strife but there are moments of happiness and joy normally related to music. The best instances of this is a long cut sequence with Zula and Wikor in a Paris dance hall here as Rock Around the Clock his the speakers compelling Zula to hit the dance floor sharing moments of the song with different partners as a steady cam follows her around the hall. The other, a performance of the Mazurek troupe for important Communist Part members featuring Polish dancing spins and lifts with Zula at the forefront.
Cold War is the telling of a classic story of star-crossed lovers separated by time, space and politics. Joanna Kulig is the classical mid-twentieth century free-spirited modern woman ala Anita Ekberg in La Dolce Vita, Sophia Loren or Marilyn Monroe. But in all these cases unhappiness lurks just below the surface. Cinematographer Lukasz Zal's vision gleams incredible shifts between light and dark on the black and white canvas. The overall tone is a melancholy deliberately paced sharply edited production spanning parts of three decades that I can highly recommend.
*** 1/2 Out of 4.
Cold War | Pawel Pawlikowski |Poland/France/ U.K. | 2018 | 88 Minutes.
Tags: Poland, Eastern Bloc, Polish Folk Music, Mazowsze / Slask, East Berlin, Border Crossing, Paris, French Jazz, Yugoslavia, Bill Haley & The Comets.
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