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As a talk show host on VH1 in the late 1980s, I had a list of great guests who sat with with me in the studio. Some of them were: Kirk Douglas, Norman Mailer, Dominick Dunne, poet Alan Ginsberg, Anne Rice, Hume Cronyn and Jessica Tandy, Debbie Reynolds, Carrie Fisher, Shirley MacLaine, Dolly Parton, Sally Field, Alan Rickman, The Smothers Brothers, Mel Gibson, Marlo Thomas, Jodie Foster, Michael Caine, Ben Kingsley, Gregory Hines, Joan Baez, Carlos Santana, Raul Julia, Patrick Swayze, Whoopi Goldberg, Spike Lee, Liza Minnelli, Phil Collins … and I was flown to London to interview Paul McCartney.
Yes. I know I just dropped a lot of names. But I did it for a reason.
I would not have gotten that job had I left my career in the hands of a broadcast agent. If broadcast agents had received a casting notice in 1988 that read "Seeking TV host for a national celebrity talk show with acclaimed figures from stage, screen, music and literature. Talent must have knowledge of such guests and also have good writing skills," I never would have been submitted to audition. Why? Because the casting call did not read "Seeking African-American host" or "Race unimportant."
My VH1 boss and I had worked in Milwaukee at the same time before we got ourselves jobs in New York City. We worked at rival stations there. He was in an executive position and tried to steal me away because he loved my work. He got to New York City and landed an executive position at VH1. If that white executive had not known my work, loved my work, and offered me the job, I never would've gotten it. Other white executives and white agents would not have considered a black man for that job -- because they'd never seen a black man with that kind of "Dick Cavett" job.
I'm not kidding. Latino actor John Leguizamo touched on this kind of racial exclusion in his Tony-winning Broadway show, LATIN HISTORY FOR MORONS, now airing on Netflix. He is an extremely gifted actor and writer. He mentioned that when he was a young actor and fresh out of school, his white acting classmate buddies were getting like five auditions a day while he was lucky if he got five auditions a month. I've been there. For us people of color, the playing field was not level. Agents were not exactly creative in their thinking when submitting actors of color for roles. I've mentioned before than, when I had my first agent, a very blond gentleman who worked at William Morris in New York City, I was fresh off my VH1 talk show and told him I was very interested in auditioning for supporting roles in good comedies -- like the role Bill Murray had in TOOTSIE. The agent, bless his heart, replied "But that wasn't a role for a black actor."
Look at TOOTSIE again. That role could've been played by Bill Murray, by John Leguizamo or by David Alan Grier. It was not a race specific role. But an agent automatically saw it as a "white male" actor opportunity.
The voices and, let's face it, anger raised in the last couple of years over the entertainment industry's lack of race/gender inclusion has slapped the chains off the brains of some agents and producers. They're now acknowledging color. Being that we've nearly completed the first two decades of the 21st Century, it's about time.
The Golden Globes nominations were announced. Nowadays, Hollywood looks to the Golden Globes for an idea of what could nab Oscar nominations come January. In the Drama category, 3 of the 5 nominees for Best Picture are stories driven by black characters:
IF BEALE STREET COULD TALK (directed by Barry Jenkins)
BLACK PANTHER (directed by Ryan Coogler)
BlacKkKlansman (directed by Spike Lee)…
...along with A STAR IS BORN and BOHEMIAN RHAPSODY.
Lin-Manuel Miranda, Mahershala Ali, Sandra Oh and Constance Wu were all nominated for acting honors. Spike Lee received a Best Director nomination for BlacKkKlansman.
In January, I'll definitely be watching the Golden Globes telecast. This diversity and inclusion in the list of nominees -- and there is more -- gives my heart wings.
Link Souce
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