DVR Diary: VENOM (2018)

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For some time, Sony Pictures, clinging to the film rights to Spider-Man, has been struggling to create a cinematic universe capable of sustaining feature-film showcases for Spidey's supporting cast. Now that Spider-Man himself has been revived with help from Marvel Studios, the time seemed right to resume the larger project. The challenge presented to director Ruben Fleischer and his writers, however, was to make a movie about one of Spidey's relatively recent antagonists, only without Spider-Man. The challenge wasn't necessarily insurmountable, since Venom is one of those characters who's gone back and forth from villain to antihero since his introduction in the 1980s. Back then, disgraced journalist Eddie Brock sort of inherited the infamous black costume that Spidey acquired back in the equally infamous Secret Wars comic. The costume was, in fact, a malevolent symbiotic alien that Spider-Man, recognizing its malevolent nature, rejected. Brock, meanwhile, welcomed the opportunity to take revenge on Spidey, whom he blamed for his disgrace. The movie retains Brock (Tom Hardy) as disgraced journalist, but makes him a victim rather than an arrogant blunderer, crushed by an evil Elon Musk type (Riz Ahmed) rather than discredited for blaming the wrong man for murder. The corporate villain has acquired some gloppy aliens from one of his spacecraft and hopes to graft them onto humans in the hope of creating a hybrid spacefaring species. Nosy Brock, still sniffing a story, ends up acquiring a symbiote that encases him in an inky muscle suit and endows him with superhuman stength and speed as well as an obnoxious tongue. Much of the time, however, "Venom," as the alien critter calls itself -- is it translating to English or are those the actual syllables of its name? -- is a disembodied voice that taunts and torments Eddie by forcing him to conduct multiple conversations at the same time. Brock naturally resents this intrusion on his person, but he and the symbiote will have to work together to stop the inevitable corporate symbiote from facilitating a full-scale alien invasion of Earth.

Venom may be the ugliest superhero movie I've ever seen. The protagonist, fully costumed, is pretty much a spasmodic black blob whose activities have a certain ejaculatory quality that may help explain his/its long-term appeal. The climactic fight pits him against a slightly more silvery variation on the same basic design, and while the splattery conflict may inspire nostalgia among some for the over-rendered comics of Venom's heyday, it struck me as simply tedious. A character whose face gets covered in glop periodically seems tailor-made for Tom Hardy, who probably thought that going way over the top was only doing justice to the source material. Instead, his performance helped show that Sony, with less input from Marvel this time, lacks Marvel's knack for making its protagonists likable even when they act like jerks. Hardy is hardly helped by the uncinematic reduction of Venom to a mere voice in scenes that require Brock to act like a madman. The results are at least sometimes meant to be funny but usually fall flat. Meanwhile, as Eddie's ex, Michelle Williams collects a paycheck, while Woody Harrelson in a Raggedy Andy fright wig promises much fan service in the sequel this film somehow earned. I'd like to say that Venom's success was improbable, but it was probably the sort of superhero film many longtime comics fans had been waiting for. The best I can say about the thing is that I hope they enjoyed it.
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