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Written by: Eligio R. Montero and Salvador Simó Busom based on the graphic novel by Fermín Solís.
Starring: Jorge Usón (Luis Buñuel), Fernando Ramos (Ramón Acín Aquilué), Luis Enrique de Tomás (Pierre Unik), Cyril Corral (Eli Lotar).
Watching Buñuel in the Labyrinth of the Turtles is to realize how much more ambitious the rest of the world is in terms of suitable subjects for animated films than Hollywood is. This Spanish production documents famed director Luis Buñuel’s production on his 1933 short documentary Las Hurdes (Land Without Bread) – a great little film in its own right, but basically a footnote in the film giant’s career. Why the filmmakers decided to tell this story at this time is, well, perhaps a little unclear. And the animation itself is relatively simple – and I do think the film dumbs down the Buñuel’s artistic intent here a little, to try and cram it into a feel good story about two friends. But there’s still a lot here to admire – perhaps no more than that it exists at all.
The film opens just as Bunuel’s second film, L’Age D’or (1930) is about to open, and become a scandal. He’ll receive a lot of praise for it, as well as scorn and ridicule, and basically made it impossible to find any more funding for his films in Paris – and led to a kind of split with Salvador Dali, who Bunuel was linked to earlier. At a loss of what to do next, and having no money, he eventually settles on making a documentary in Las Hurdes – one of the poorest places in Spain. He gets the money from his friends, Ramon Acin, when Ramon wins the Christmas lottery. He hires a couple of cameramen, and goes to this poor area to shoot the film.
There is tension right away between good friends Bunuel and Acin. Bunuel is too wasteful with the limited money they have to shoot the film. He goes to extreme lengths to get the shots that he wants – including the infamous falling goats. There is tension in that Acin, who truly cares about the poor, thinks that rich kid Bunuel is mocking the people of Las Hurdes in the way he films things.
As a film, Buñuel in the Labyrinth of the Turtles is interesting. The animation isn’t particularly great – but it’s good enough. The film at times flashes between what we see Bunuel and his crew setting up, and the shots from the real film. I do wish the film had pushed a little deeper into Bunuel’s methodology – and reasoning – in the film, which is very complex, and remains debated in films circles to this day. Bunuel was mocking in the film – but not really of the people of Las Hurdes, but more of a style of documentary filmmaking that was akin to what today we would call “poverty porn” and of audiences who were not able to think critically of what they were seeing. The film doesn’t ever dive into that though – framing it more of a story of friendship between Bunuel and Acin – the latter of whom would become a target of the Franco regime in the years following the making of the film. The film is a loving tribute to him – but I think it would be interesting if it were more than that as well. Still, you cannot help but admire that someone decided that not only did the making of Las Hurdes needed to be a film – but an animated one at that. Call it Bunuel for kids – that is, if kids can handle a little animal cruelty with their films.
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