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Every year, I get on my high horse, complaining about how most of the films eligible for the Animated Film Oscar aren’t available to watch – and every year, it doesn’t change. So screw it – let’s just get to what I have seen.
Even if the top films of the year in this category were excellent – it does feel like the bottom films were worse than normal. This included: The Angry Birds Movie 2 (Thurop Van Orman) which was so lazy and cynical it made be irrationally angry to sit through. The Secret Life of Pets 2 (Chris Renaud) tried to do absolutely nothing original with the characters or situations from the fun original film. Ugly Dolls (Kelly Asbury) is a cynical ploy to sell more dolls – and a lazy one to boot) Wonder Park (No Director Credited) is a cheapie film, scheduled during a lull to make some quick bucks – and that’s basically all it was.
I was completely and totally unoffended – but also completely forgot – The Addams Family (Conrad Vernon & Greg Tiernan) – which makes it better than the ones above.
Better than all of those was: Abominable (Jill Culton) which certainly didn’t reinvent anything, and was basically a safe, mainstream film for kids – was still enjoyable and well animated. Spies in Disguise (Troy Quane & Nick Bruno) is a fun action/comedy with a slightly different – anti-violence message, I admired.
And finally, some runners-up: Buñuel in the Labyrinth of the Turtles (Salvador Simó Busom) is a film I admire – would that Hollywood think of making an animated film about Luis Bunuel making his 1933 satirical documentary Las Hurdes – even if the animation itself is just passable, and it simplifies things too much. Frozen II (Chris Buck & Jennifer Lee) was a very good Disney film, with some okay music, but it just cannot match the original. Klaus (Sergio Pablos) is charming, old school animated Christmas film that looks better than the story – but it’s a charming film just the same. The Lego Movie 2: The Second Part (Mike Mitchell) is a very fun sequel – but doesn’t come close to hitting the heights of the great original.
5. Missing Link (Chris Butler)
Laika has become one of the best studios for animated family fare around – and it’s sad that audiences have not caught on yet as Coraline, Kubo and the Two Strings and particularly Missing Link didn’t quite find the theatrical audience they deserved. No, I don’t think Missing Link quite lives up to what Laika has done before it is still very fun. It is the story of a yeti travelling across the world with an explorer to meet his relatives. The film is fast paced and funny, and beautifully animated, with a kind of melancholy undercurrent to it. Laika deserves better from audiences – so get on that people!
4. I Lost My Body (Jeremy Clapin)
Perhaps the year’s most original animated film – this one is about a severed hand, who escapes from a medical lab, and tries to find its way back to its owner across the streets of Paris. Intercut with that is the story of the owner of that hand in the weeks before he loses it. When the film is concentrated on the hand itself, it is magical – brilliantly animated, funny, expressive and with a great score. I also loved the hand-centric flashbacks – as if the severed hand is slowly regaining its consciousness. Less successful is the story of the owner himself – who is perhaps a little creepier than the filmmakers realized. Still, those scenes are still fine – but if the entire film had been as good as the ones with the hand itself, this would easily have been the year’s best animated film.
3. Ruben Brandt, Collector (Milorad Krstic)
A holdover from last year’s animated film race (that didn’t make the cut) but didn’t really get released until this year, Ruben Brandt, Collector is one of the most original and best looking animated film of the year. It is a film aimed at adults – as a psychiatrist used his patients, with various skill sets, to steal world famous art work from around the world, as a cop tries to piece together what happens. The animation is based on these famous painting – melding together with the terrific backgrounds and a fast moving plot. No, I don’t think the film is particularly deep – but it’s so much fun, so beautiful to look at, that it hardly matters. We need more animated film aimed at adult’s audiences like this.
2. How to Train Your Dragon: Hidden World (Dean Deblois)
Dreamworks has struggled somewhat with animation – making rather crude imitations of great animated films, film built for the moment, that don’t age well (like Shrek). The one exception has been the How to Train Your Dragon series, which has been beautiful and heartfelt throughout. The films have always been clever and funny, without being crash and cheap, have wonderful action sequences, without it becoming fast moving, loud, colorful crap. And the films have always been emotionally grounded as well – they have real emotional stakes. The Hidden World is the final chapter of this saga, and its beautiful and exiting throughout, with a brilliant, emotional final scene that leaves you filled. This has been a great series – and this is a wonderful final chapter.
1. Toy Story 4 (Josh Cooley)
Put me down as one of those people who didn’t really think we needed a fourth Toy Story film – the third installment ended things perfectly. And yet, even if Toy Story 4 kind of plays like afterward to the series as a whole, it’s such a good one that I didn’t really care. The film, which focuses on Woody figuring out that he will never be the favorite toy again, and having to find happiness and fulfillment elsewhere. It is perhaps the saddest, most melancholy of the Toy Story movies – which has always had that streak in it of course – and ends the series on the absolute perfect note. It probably is a step down from the best of this series (which is still Toy Story 3 for me) – but it does show that Pixar can do sequels, and do them well – if only in this series. But please, we don’t really need a Toy Story 5 – this one ends on the right note.
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