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The key event of the film is a not so controlled avalanche that buries an outdoor eating area where the Stantons
Julia Louis- Dreyfus does her best to try and rescue this muddled offer that based on its casting made a concerted effort to be different than its dark inspirational predecessor Ruben Ostlund's 2014 Force Majeure. However the Nat Faxon and Jim Rash directed remake doesn't go far enough to the comedy side resulting in a film that is stuck in the non-committal middle. Miranda Otto offers some minor laughs as the Stanton's oversexed resort liaison Charlotte. Will Ferrell seems caught between being dramatic going though grief for his dad then guilt for abandoning his family at a time of need. Then in the next moment playing the goofy dad bearing down on his more sensitive son ruining the boys one day at the kid-friendly resort.
Downhill is a misfire attempt to Americanize the emotionally tense Swedish source material that was one of the more beloved films of 2014. The Stantons come across often as the ugly American tourist throwing their weight around expecting local Austrian culture, traditions and practices to be exactly the same as back home. The narrative is often telegraphed offering no new insightful twist on the original making it a film that outside of Louis-Dreyfus and some pleasing shots of the Alps from cinematographer Danny Cohen's lens not much else to draw an audience to this production.
** Out of 4.
Downhill | Nat Faxon / Jim Rash | U.S.A. | 2020 | 86 Minutes.
Tags: Austria, Alps, Remake, Skiing, Vacation, Avalanche, Instagram, Chairlifts, Grief, Morning, Hashtags.
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