Joker (2019)

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Director: Todd Phillips

Extremely well-done film that was compelling but grim enough to not demand a re-watch by me anytime soon.

Ostensibly offering a possible origin story for arch Batman villain "The Joker," Joker tells the story of Arthur Fleck (Joaquin Phoenix), a mentally troubled, severely down-on-his-luck man who is trying to find some place for himself in a grim and deteriorating city. Fleck is an aspiring stand-up comedian who lives at home with and cares for his invalid mother, while trying to make ends meet through menial clowning jobs around the depressed metropolis. In addition to generally being very awkward socially, he suffers from emotional swings and a condition which causes him to laugh hysterically and uncontrollably at random moments. When Fleck is bullied one night on a train, he lashes back and kills his tormentors, setting in motion a spiral into violence and true madness for not only Fleck but also the entire city.

More than any "comic book" movie I've seen, Joker has a very clear vision, and it is exceptionally dark. Writer and director Todd Phillips has himself admitted that he sort of hoodwinked Warner Bros studios by dressing up his movie as an origin story for one of the most famous villains in modern pop culture (in an interview on NPR, Phillips pointed out how the title of the movie is "Joker" and not "The Joker"). What he really offered was a brooding commentary on the state of modern U.S. society and its social ills. Fleck can easily be seen as one of the countless people afflicted with mental illness and carrying the burden of caring for unwell family members, but who have been abandoned by the world around them. Fleck and his mother have no other family, no friends, and early in the movie, Arthur's public assistance and medical care are stripped away from him, leaving him to deal with his myriad difficulties on his own. One doesn't have to look very far in the real world to see much of what is portrayed in Joker. The clarity and commitment to this theme distinguish this film from any other "comic book" movie that I can think of (and I've seen tons of them).

For a better comparison, one need only look at several of the grittier films by Martin Scorsese and Paul

Schrader. Todd Phillips doesn't bother disguising the fact that he's drawing heavily from movies like The King of Comedy, Taxi Driver, or even the more recent First Reformed. All of these movies deal with angry men who are already teetering on the edge of sanity, and whom we see pushed off. Arthur Fleck is the latest version of a Rupert Pupkin, Travis Bickle, or Toller - people who are struggling to keep a toehold in society but fail in spectacular or violent fashion. What is impressive is not only that Phillips decided to draw from such dark inspirations for this kind of movie, but that he so clearly succeeded.

Arthur, in the middle of one of his uncontrollable and often
out-of-place bouts of laughter. As of now, Joaquin Phoenix is
the second actor to win Oscar Best Actor playing the
notorious villain of comic book origins.

By this time, I probably don't need to point out that Joaquin Phoenix's performance is brilliant (I write this only about a week after he won Best Actor for the role). It is truly a marvel, as painful as it is to take in. All of the supporting cast does a fine job as well, including Robert De Niro himself as an echo of the talk show host character played by Jerry Lewis in The King of Comedy. These performances, along with outstanding costume and set design, lighting, cinematography, and an Oscar-winning musical score, shape the story into something that really is a piece of art.

It must be said, though, that the movie is just as depressing as it sounds. Also in keeping with its inspirations and themes, this is not the easiest film to take. Yes, there are a few moments of dark and gallows humor in a few places, but for the most part this movie is one gut punch after another. And just like those aforementioned Scorsese and Schrader films, Joker is a great movie that I find too tough to take more than once in a very rare while. 
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