There are many places to watch free movies online, but the seats listed below has the largest number of films that are available for your computer or your TV, and valid for use. Many websites also have free movie apps so you can access the free movies on your mobile device.
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Streaming Movie-
Wendy ** ½ / *****
Directed by: Benh Zeitlin.
Written by: Benh Zeitlin and Eliza Zeitlin.
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Starring: Yashua Mack (Peter Pan), Devin France (Wendy), Gage Naquin (Douglas), Gavin Naquin (James), Ahmad Cage (Sweet Heavy), Krzysztof Meyn (Thomas), Romyri Ross (Cudjoe Head), Shay Walker (Angela Darling), Tommie Lynn Milazzo (Wendy - Baby), Stephanie Lynn Wilson (Adult Wendy – voice), Lowell Landes (Buzzo), Matt Owens (Tee Goose), Kevin Pugh (James Hook).
It’s hard to remember now just what an indie hit Benh Zeitlin’s Beasts of the Southern Wild was back in 2012. It debuted at Sundance, before a summer release, received a ton of acclaimed, solid box office for a film as idiosyncratic as it was – and was so beloved by the Academy that it received 4 Oscars nominations – including a Best Actress nod for its 9-year old, and nominations for Adapted Screenplay, Picture and Director – in the year that Ben Affleck was overlooked for Argo, even though that film went onto win Best Picture. Benh Zeitlin looked like the next indie darling – perhaps a filmmaker like Terrence Malick. And then, he didn’t make a film for 8-years. When he returned to Sundance this year with Wendy, there was some buzz that perhaps he was finally back – and would restart that promising career.
I have a feeling that if Wendy came first, and Zeitlin followed it up
with Beasts of the Southern Wild than Wendy would be seen as a key stepping stone. As it stands though, it kind of feels like at best that Zeitlin has stood still for the last 8 years, and at worst, that he’s actually taken a step back. The two films are very similar stylistically – which is a good thing, as it is a style of Zeitlin’s own and its distinctive and effective. Once again, he’s set his film in the poor regions of the South – concentrating on children, of different races, in a world that is part reality, part fantasy. The difference between the two is basically that while Beasts of the Southern Wild revealed itself slowly – revealed its allegorical nature, etc. – over the course of its narrative, it’s apparent from the beginning that Wendy is a Peter Pan riff. And while you cannot say Zeitlin’s version of the oft-told tale is the same as the others we have seen – you also cannot really say its all that interesting either.
The best scenes in the film are the early ones. The real world scenes are set at one of those diners in the middle of nowhere – this one quite literally opens up onto the train tracks that run out front. It is here when Wendy was a baby – living with her single mother, and twin brothers, that she witnesses another boy – Thomas – snap and run outside, when he’s told (jokingly) that he’s end up the mop boy for the diner. So instead, he flees – and through the eyes of that baby Wendy, we see a mysterious boy on top of the train – and Thomas himself. Flash forward years later – Wendy being about 8 or 9 now – and she and her brothers find the courage to board that same mysterious train, with the same mysterious boy. They end up in a world where children never grow old – as long as they keep hope and faith alive. They are watched over by someone called mother – who they must protect as well. If you lose hope, you age rapidly.
It’s in those early scenes – at that diner along the tracks, where Wendy works best. It’s a mixture of early David Gordon Green and Terrence Malick here, depicting its place with magical realism. Once the film settles into the fantasy world – which is most of the film – it grows repetitive, and to honest kind of dull. The film is far more concerned with narrative than Beasts of the Southern Wild was – and its not all that interesting a narrative as you basically sit there and spot the various ways Zeitlin and company are evoking Peter Pan, and changing it, etc.
The film is clearly a passion project for Zeitlin – something he wanted to make for years, and finally got to. Its disappointing though that he essentially made a better, deeper version of this with Beasts – and is now just hitting the repeat button. Had this been his debut, it still wouldn’t be a good film – but it would show immense promise and talent. But because he already surpassed this with his first film, you cannot help but think when it’s over that this wasn’t worth the 8 year wait.
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