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THE SNAKE PIT (1948) was made in between Olivia de Havilland's two wins in the Best Actress Oscar category. Her first was for Paramount's TO EACH HIS OWN (1946) and her second would be for Paramount's THE HEIRESS (1949).
Anatole Litvak directed THE SNAKE PIT. I've seen the movie several times. When I watched it this week on TV, something stood out to me that had not stood out to me in earlier viewings. Modern day Hollywood could have taken a tip from THE SNAKE PIT in the area of good roles for females. And I don't mean just the leading lady role played by de Havilland. Watch this social issue drama and notice the dozens of speaking parts for females. Some are supporting roles done by recognizable faces such as Celeste Holm, Beulah Bondi and Betsy Blair (who went on to give a lovely performance as the shy Clara in 1955's MARTY with Ernest Borgnine.) Many others are bit parts done by actresses you've seen in other films. Actresses who were never stars yet they were always solid, dependable performers. There are plenty of them in THE SNAKE PIT. You get a feeling that director Anatole Litvak was blessed -- all he had to do was give those pros the script, tell them what he needed, leave the rest to their inspiration, sit down and yell "Action!" Here's a trailer.
I wrote "female" because the many roles cover a wide age group. We see Virginia Cunningham (Olivia de Havilland) when she was a little girl faced with a family loss that would effect her emotionally. There's a child actress for those flashback scenes. When we get inside the institution with patients and nurses, we see women who are young like newlywed Virginia, middle-aged women and women in their senior years. THE SNAKE PIT hired dozens of talented females for on-camera duty. They weren't all stars but they sure were good. Here's a clip.
20th Century Fox's THE SNAKE PIT brought Olivia de Havilland one of her Best Actress Oscar nominations. Anatole Litvak was a nominee for Best Director and the film was in the Best Picture Oscar category. Her other nominations were in the Best Actress category for Paramount's HOLD BACK THE DAWN (1941) and in the Best Supporting Actress category for the 1939 MGM release, GONE WITH THE WIND.
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